I'm stopping with just the one example, or I'll never stop. And I'd write about why I love Quentin Blake's drawings - how alive they are, how packed with energy and character, and... but I'd never stop then, either.
Here's my artwork* for Sarandon's new single, out on the Little Car label some time in the near future. It's cracking stuff (I mean the record, not my drawing) - all itchy, scratchy hyperactive guitar riffs and, on the b-side, a caffeined cover of the Swell Maps' 'Vertical Slum'. I recommend all readers buy a copy, if only for the sheer beauty of the packaging, eh what.
*not all on my own, mind you. I had a bit of design help here and there, from both Sheran and Crayola. Thank-yuh, kindly, chaps.
Woman rushing for the train on platform 8. Around 6.45pm.
And this chap wasn't necessarily using public transport, but I had to include him. He was dressed in a knackered old white suit, a white fur coat (slung over his shoulders) and carrying three white leather handbags, which were crammed full with all his worldly posessions. He'd finished off the outfit with a blood-red tie and was standing, stock-still, outside WH Smiths.
(c) elliot elam 2016. Except the bits that aren't mine, of course (usually the stuff in the 'images i like' section). All of that is copyright of the respective artists.